Garcia Peoples One Step Behind album review

Garcia Peoples third release in a year and a half, One Step Behind is an incredible psychedelic folk album with obvious influence by Jerry himself and others, a very pleasant piece of work

Starting out with some horns that sound like they are in a kaleidoscope. So vibey and droney. Followed by some beautiful wah infuses arpeggio guitar work. These peoples have done their homework. Then at ten minutes on the whole band comes in playing around it with more wah and wee bit of fuzz. It just gets groovier as it goes on. The vocals are done well , with delightful melodies vocally and musically.

Heart and Soul has a gorgeous piano intro, and a soulful vocal. This is a wonderful, surprising record. Sublime and groovy all at the same time.

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Marty Mayhem And The Liabilities-Live At The Rifle EP

Marty Mayhem And The Liabilites are a band that formed out of the ashes of the glam punk rock n roll band, The Smokin' Prophets. Marty and the band split, due to creative differences. Marty, the frontman, and lead guitarist of this three piece Punk Rock N' Roll band are phenomenal. The EP is Live, at The Rifle, at their first gig. It's four new tracks, which are in a different direction than the Prophets, but still retains the spirit. It's a bit darker, and real, on songs like Am I A Ghost, sings of being an outcast. It sounds more mature than the prophets, less glammy. They are a powerhouse live band, raw, and real. Marty has really come a long way, from being Lead Guitarist/songwriter in Hollywood Trash, to being a great frontman. No ego, and a serious, talented, amazing musician, singer, and frontman. His voice is like a raspy, pissed off Johnny Thunders, and a hint of Kurt Cobain. This band, for this being their first live gig, are tight as hell. The so

Interview with Nadir D'Priest lead singer for London

Nadir D'Priest is the lead singer of Legendary LA glam band London, who founder Lizzie Grey even nicknamed the 'training camp for future rockstars’ in Decline Of Western Civilization part two. A set of extraordinary heavy metal god like pipes as heard on songs such as Werewolves In London and Russian Winter, London has regrouped in 2019 with a brand new album Call That Girl. I sat down with D”Priest and discussed the beginning of his tenure in the band and Londons future. When did you decide you wanted to sing in a rock n roll band? When I was a little kid I was a drummer so I basically started as a drummer and moved onto singing early in life. Who were you early influences? Black sabbath Led Zeppelin Three Dog Night YES Dio 1st album Deep Purple James Brown Sinatra and many more. Tell me about your early groups and early experiences. Bands I’ve been in? I started in a band called assassin in Pasadena California which moved me on to a couple other little local ba

Uncle Acid And The Deadbeats-The Night Creeper review

The Night Creeper, by Uncle Acid and The Deadbeats, is their third record, and it shows them progressing. And its fucking fantastic. It has the riffs and vibes of Black Sabbath, with haunting vocals, and a sense of melody that most Stoner Doom Metal bands lack. There are hooks, and dark vibes. It's incindiary. And if anybody doubts their legitimacy, they opened for Black Sabbath on the UK leg of their last tour, which in Doom, that's a hell of a endorsement. They don't copy Sabbath, they put their own dark, melodic spin on the genre. This record is absolutely phenomenal, dark, abysmal, eerie, and filled with incredible freakin riffs. With lyrics that are reminscent of old school b movie horror films, they create an atmosphere that literally makes you feel like you are walking down a dark alley in the cold English rain. With songs like Waiting For Blood, Pusher Man, and the title track, slow, sludgeing Sabbath-esgue riffs, Iron Maiden like guitar harmonies, a

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