Skip to main content

Shadow Show Silhouettes Review


Shadow Show is a Psychedelic power trio from Ann Arbor, Michigan. Fantastic, cosmic music with spacey vocal harmonies. Their debut album Silhouettes is a fine example of very good modern psych, with ten solid tracks. So tight it sounds and feels loose.
The album starts off with the single and video Charades, somewhere between a rockin Byrd’s meets mid 60’s Beatles vibe with a bit of Syd Barrett Pink Floyd and that slight punk sneer. Very catchy, very trippy, very groovy.
Contessa has a 60s meets 90s grunge kinda vibe to it, and has backing vocals akin to the Monkees, nice touch. These girls don’t sound like anyone else around, and best of all, the guitar is so fuzzy!
Green Stone is one of the stronger songs on the album, going into some Rolling Stones and Yardbirds type vibes, total mid 60s psychedelia.
The Alchemist is like Uncle Acid without the distortion and sped up a bit. A layer of acoustic guitar and just an incredible hazy vibe like the inside of an enchanted forest.
Shadow Box begins with pounding drums as the guitars kick in, and cascading backing vocals go along with the lead so beautifully and perfectly, incredible. 
Trapeze Act has a very unique riff with a nice vocal effect, with some nice crunchy raunchy guitar. Everything is so well crafted and well placed. 
Glass Eye has one of the coolest Beatles like song structures, and grooves like a motherfucker. The musicianship between these three is out of this world, and the sound they create is phenomenally.
Dreamhead begins with acoustic and the bass and electric evolve out of it as the drums build up anticipation, and builds into a catchy, quirky Stooges like song emerges. Such a tranquil vibe throughout, though. 
The Machine begins with a guitar fading arpeggio as the bass and drums explode in, with some almost surf like guitar work here leading into the vocal. Incredible vocal and powerful song.
The final track Silhouette is very floaty and happy sounding, upbeat but not fast, a nice mellow pace, and then it stops and slows down to an even more warm sounding riff, something that comforts you, and leaves you feeling refreshed and beaming with profound tranquility. 
This record has everything you love from the past dragged to the future and harnesses the healing loving powers of rock and roll at heart, something to keep your soul warm from the cold.



Comments

Post a Comment

Popular posts from this blog

Atollo13 Scimmie Di Mare album review

Scimmie Di Mare is the latest full length release from Italian Surf band Atollo13, and it is fun from the moment it starts to the end. Reminiscent of The Eliminators and the Blue Stingrays and The Shadows, there's some groovy and gnarly tunes here that you can dig unless you're a square. Trappistone is the beginning intro, complete with the old vox keyboard and reverb drenched fender guitars in all their Cali sun glory. Such great musicianship here. Linda Linda the first song with vocals, they sing in Italian, but it sounds right. It's a wonderful song. It's crazy to hear perfect top notch surf music with Italian lyrics, but I must say it's better than alot of stuff around today. It sounds fresh out of a pier in the early 60s. Sea Monkeys starts off with discord and a psychedelic moment before grooving into a beautiful dance tune. Any record that encourages fun, or dancing is a good one. These guys completely have it nailed down and tight. I did not w...
1 comment
Read more

Dead Witches-Ouija (2017) review

Dead Witches are an amazing, crushingly heavy, psychedelic, stoner doom band. With legend drummer Mark Greening(Ex Electric Wizard, With The Dead,  Ramessess) along with vocalist Virginia Monti(Psychedelic Witchcraft), Carl Geary on bass, and Greg Elk on guitar, sadly Elk passed away in 2016. The album is absolutely superb, definitely one of the best records of the year. The production is amazing, the songs are great, and the fucking riffs are orgasms for the ears. The album starts off with the sound of rain, and a storm, and a haunting bass riff, followed with some organ and guitar feedback, setting a very dark mood. and moves into the song Dead, which starts off with a fantastic, fuzzy riff, and the drums kick in, and this song rides on the groove of this riff, building and building, as Virginia opens her beautiful, haunting vocals, its very powerful. It sucks you into the dark vortex to hell, dragging you numbed from dopesmoke. How metal is that? It's nice to hear Mark bashin...
Post a Comment
Read more

Uncle Acid And The Deadbeats-The Night Creeper review

The Night Creeper, by Uncle Acid and The Deadbeats, is their third record, and it shows them progressing. And its fucking  fantastic. It has the riffs and vibes of Black Sabbath, with haunting vocals, and a sense of melody that most  Stoner Doom Metal bands lack. There are hooks, and dark vibes. It's incindiary. And if anybody doubts their legitimacy, they opened  for Black Sabbath on the UK leg of their last tour, which in Doom, that's a hell of a endorsement. They don't copy Sabbath,  they put their own dark, melodic spin on the genre. This record is absolutely phenomenal, dark, abysmal, eerie, and filled with incredible freakin riffs. With lyrics that are reminscent of old school b movie horror films, they create an atmosphere that literally makes you feel like you  are walking down a dark alley in the cold English rain. With songs like Waiting For Blood, Pusher Man, and the title track,   slow, sludgeing Sabbath-esgue riffs, Iron Maiden like gu...
Post a Comment
Read more