Skip to main content

L.A. Guns The Devil You Know review


The Devil You Know is L.A. Guns upcoming album, and it fucking rips, man. A nice next step after the awesome album The Missing Peace. Soundwise, it is like the debut album mixed with Hollywood Vampires and the first Brides Of Destruction record. Angry, sleazy, sexy, dark, and intense.

The album kicks off with the punky Rage, a powerful tune raw with Phils’ amazing vocals. musically it is reminiscent of Brides Of Destruction. Such a great start to the record. Balls out rock with a great hook.
Stay Away has such a great groove, similar to Malaria. Tracii’s riffs are always top notch and this is a prime example. The production is raw in a good way, it’s not to polished and truly sounds like rock should. A face melting solo. Fuck I missed these dudes. Phil is sounding fantastic.
Loaded Bomb starts off a bit bluesy, and just kicks so much ass. It rocks hard and punches you in the face with intensity and attitude, but also makes ya wanna groove or fuck. it’s got that groove, that swagger. After the slide solo, it quiets down a little building back up to an explosive fuckin chorus.
The title track The Devil You Know starts off with a fucking awesome almost doomy sounding riff. Sounds very Sabbath like with a bit of Zeppelin. This record is a bit darker than The Missing Peace. Given the state of the world at the moment, it fits. It goes into a waltzy slower heavier riff that sounds like something off the first Sabbath record. Holy fuck dude.
Needle To The Bone is classic punky rockin L.A. Guns. A great, fun headbanger with a great riff.
Going High has another groovy fucking riff. Fantastic vocals and the whole band is firing on all fuckin cylinders.
Gone Honey could have been on Hollywood Vampires. Has such a mellow rockin vibe. Such a chill good song.
Don’t Need To Win is another balls out banger. Equally punk and hard rock. Chock full of sleaze and attitude. Fucking hell they never missed a beat and lost absolutely nothing in time.
Down That Hole starts with a drumbeat as the guitars kick in. Definitely a Zeppelin vibe here musically. Phils voice is that of a seductive vampyre, drawing you in with dark beauty.
Another Season In Hell starts with some enchanting dark vibey guitar work. Phils voice is so passionate and is best expressed here. A powerful ballad that's not wimpy at all. The melodies are mesmerizing  If this song doesn’t get under your skin and give you chills, then you are not human.So full of emotion and pain.
Boom closes the record in total balls out rock n roll abandon. Hard, dirty, and fast. Fuckin aye, man. As a long time fan, this record does not disappoint at all.

Comments

Popular posts from this blog

Sadartha Growth EP Review

Sadartha's third release is the ep Growth. With slightly better production than the last two albums, the band drops most of the hardcore punk influences going for a pure grunge sound. Opening track Emptifull has a sweet groove in the verse and explodes on the chorus. The band seems to have found their footing hear. Jangly muddy guitars, pulsating bass, and frantic but precise drums. Is it 1992 again? Aconitum starts with a watery sounding guitar riff. So slow and vibey. This is like Nirvana's Nevermind meets Alice In Chain's Jar Of Flies. So dark, so sublime.  Eclipsing Binaries sounds upbeat.a lazy day with a joint in the sun with nothing to do is what comes to mind. Really good song. Nice melodies. These dudes are definitely on the rise and just get better. Sacred Scorcher has such an awesome groove. Hearing a little Mudhoney influence here. Then the guitars distort and it's a train barrelling down the tracks at 110 mph on fire. It's fucking great.  ...

Dead Witches-Ouija (2017) review

Dead Witches are an amazing, crushingly heavy, psychedelic, stoner doom band. With legend drummer Mark Greening(Ex Electric Wizard, With The Dead,  Ramessess) along with vocalist Virginia Monti(Psychedelic Witchcraft), Carl Geary on bass, and Greg Elk on guitar, sadly Elk passed away in 2016. The album is absolutely superb, definitely one of the best records of the year. The production is amazing, the songs are great, and the fucking riffs are orgasms for the ears. The album starts off with the sound of rain, and a storm, and a haunting bass riff, followed with some organ and guitar feedback, setting a very dark mood. and moves into the song Dead, which starts off with a fantastic, fuzzy riff, and the drums kick in, and this song rides on the groove of this riff, building and building, as Virginia opens her beautiful, haunting vocals, its very powerful. It sucks you into the dark vortex to hell, dragging you numbed from dopesmoke. How metal is that? It's nice to hear Mark bashin...

Shadow Show Silhouettes Review

Shadow Show is a Psychedelic power trio from Ann Arbor, Michigan. Fantastic, cosmic music with spacey vocal harmonies. Their debut album Silhouettes is a fine example of very good modern psych, with ten solid tracks. So tight it sounds and feels loose. The album starts off with the single and video Charades, somewhere between a rockin Byrd’s meets mid 60’s Beatles vibe with a bit of Syd Barrett Pink Floyd and that slight punk sneer. Very catchy, very trippy, very groovy. Contessa has a 60s meets 90s grunge kinda vibe to it, and has backing vocals akin to the Monkees, nice touch. These girls don’t sound like anyone else around, and best of all, the guitar is so fuzzy! Green Stone is one of the stronger songs on the album, going into some Rolling Stones and Yardbirds type vibes, total mid 60s psychedelia. The Alchemist is like Uncle Acid without the distortion and sped up a bit. A layer of acoustic guitar and just an incredible hazy vibe like the inside of an enchanted fores...