Skip to main content

Raven Throne Biaskoncy snieh času / Niazhasnaje ep review


Raven Throne is an atmospheric black metal band from Northern Belarus. Formed in 2004, the band is still eternally influenced by the cold winter and mystical, unseen worlds. Biaskoncy snieh času / Niazhasnaje is a compilation of a single and two additional tracks. They are a phenomenal and intense band. Schooled well on the old school traits of Mayhem and Darkthrone with a bit of early Gorgoroth for good measure, with their own modern spin in a way that works wonderfully.


The intro  Viartannie starych viatroŭ starts us out with a slow dark guitar riff with pouring rain, setting the mood. My - vosieni vartaŭniki starts off with such a powerful riff, like your staring down at a portal to hell, looking down smiling before you leap. The vocals are strong, similar to that of Gaahl and Hat thrown together. Absolute perfection. Better than 95% of any recent bands in the black Imetal genre. There's some light synth that ads a nice layer to their incredible, theatrics sound almost.
Biaskoncy snieh času starts of with a  soft riff that builds and explodes into hell fire. Then it slows down with a barely distorted guitar to play a riff that is absolutely amazing. Reminiscent of the early Gorgoroth albums, the spirit of darkness is surely present in these dudes. Cascading guitar lines, painting the darkest, bleakest picture you can sonically.
I  begins with a dreary sound almost psychedelic vibe creating a unsettling atmosphere. Fog permeates over the altar for sacrifice, and it builds up speed nicely. Almost trance like. Then the vocals come and have the power of a razor to a throat. It slows down very quiet and sinister. Some almost Judas priest like riffs sometimes. Rather than try to rip your head off, it has intellect. These guys literally put you in a dark trance.
II ends the ep with some strange ambient guitar work that is phenomenal. It slowly starts to build, like you are astral projecting to a dark world full of nothingness. When it kicks in, there's a over vibe of dread, but you aren't going down without a fight. Amazing.
This ep is a phenomenal piece of atmospheric black metal. In a genre littered with copies and absolutely shit bands ahem dimmu borgir. These dudes are trve kvlt.

Comments

Popular posts from this blog

Atollo13 Scimmie Di Mare album review

Scimmie Di Mare is the latest full length release from Italian Surf band Atollo13, and it is fun from the moment it starts to the end. Reminiscent of The Eliminators and the Blue Stingrays and The Shadows, there's some groovy and gnarly tunes here that you can dig unless you're a square. Trappistone is the beginning intro, complete with the old vox keyboard and reverb drenched fender guitars in all their Cali sun glory. Such great musicianship here. Linda Linda the first song with vocals, they sing in Italian, but it sounds right. It's a wonderful song. It's crazy to hear perfect top notch surf music with Italian lyrics, but I must say it's better than alot of stuff around today. It sounds fresh out of a pier in the early 60s. Sea Monkeys starts off with discord and a psychedelic moment before grooving into a beautiful dance tune. Any record that encourages fun, or dancing is a good one. These guys completely have it nailed down and tight. I did not w...

Dead Witches-Ouija (2017) review

Dead Witches are an amazing, crushingly heavy, psychedelic, stoner doom band. With legend drummer Mark Greening(Ex Electric Wizard, With The Dead,  Ramessess) along with vocalist Virginia Monti(Psychedelic Witchcraft), Carl Geary on bass, and Greg Elk on guitar, sadly Elk passed away in 2016. The album is absolutely superb, definitely one of the best records of the year. The production is amazing, the songs are great, and the fucking riffs are orgasms for the ears. The album starts off with the sound of rain, and a storm, and a haunting bass riff, followed with some organ and guitar feedback, setting a very dark mood. and moves into the song Dead, which starts off with a fantastic, fuzzy riff, and the drums kick in, and this song rides on the groove of this riff, building and building, as Virginia opens her beautiful, haunting vocals, its very powerful. It sucks you into the dark vortex to hell, dragging you numbed from dopesmoke. How metal is that? It's nice to hear Mark bashin...

Uncle Acid And The Deadbeats-The Night Creeper review

The Night Creeper, by Uncle Acid and The Deadbeats, is their third record, and it shows them progressing. And its fucking  fantastic. It has the riffs and vibes of Black Sabbath, with haunting vocals, and a sense of melody that most  Stoner Doom Metal bands lack. There are hooks, and dark vibes. It's incindiary. And if anybody doubts their legitimacy, they opened  for Black Sabbath on the UK leg of their last tour, which in Doom, that's a hell of a endorsement. They don't copy Sabbath,  they put their own dark, melodic spin on the genre. This record is absolutely phenomenal, dark, abysmal, eerie, and filled with incredible freakin riffs. With lyrics that are reminscent of old school b movie horror films, they create an atmosphere that literally makes you feel like you  are walking down a dark alley in the cold English rain. With songs like Waiting For Blood, Pusher Man, and the title track,   slow, sludgeing Sabbath-esgue riffs, Iron Maiden like gu...