Ennui-End Of The Circle album review

End of The Circle by Ennui is a sonic masterpiece. Like the aura of fog over a graveyard in the moonlight, it’s an abysmal, dark, beautifully melancholic album.

End of The Circle, the title of the track, clocking in at 33 minutes, starts off with slow ominous cold notes, and brings the funeral procession to a start. You can feel the isolation permeating out of the guitars. Then it gets soft, eerie, and calm. Like the hand of death. Then the damned, forlorn growls just make it more haunting. This is an absolutely beautiful, agonizing piece of work. If heavy metal is a wine, this album would be a merlot 1592. This is just a piece of art. Melancholic, suicidal, cold heavy art. Goes for a bit of black metal around ten minutes in, changing it up, but keeping the melody, aura, and agony intact. Then slows back down nicely. There’s a progressive element here, too. It’s a journey to a dark place, yet enchanting.

The Withering: part one fades in slowly, slightly floaty and heavy. Keeping the same kind of amazing atmosphere. The vibe is the same cold, isolation vibe on most Pink Floyd records, just heavier and darker. Reminiscent of Esoteric, and Bell Witch. There’s a bit of influence from Worship, too.

The Withering: part 2 ends the sonic journey, on an even darker note than what this album begins with. Absolute funeral doom masterpiece. The haunting synths, the crushing guitars bass and drums, like a witch hammer tolling the bell. The most ominous, slow, dark feeling one can feel. Absolutely magnificent record. For people who find regular doom metal too happy sounding.

Comments

Uncle Acid And The Deadbeats-The Night Creeper review

The Night Creeper, by Uncle Acid and The Deadbeats, is their third record, and it shows them progressing. And its fucking fantastic. It has the riffs and vibes of Black Sabbath, with haunting vocals, and a sense of melody that most Stoner Doom Metal bands lack. There are hooks, and dark vibes. It's incindiary. And if anybody doubts their legitimacy, they opened for Black Sabbath on the UK leg of their last tour, which in Doom, that's a hell of a endorsement. They don't copy Sabbath, they put their own dark, melodic spin on the genre. This record is absolutely phenomenal, dark, abysmal, eerie, and filled with incredible freakin riffs. With lyrics that are reminscent of old school b movie horror films, they create an atmosphere that literally makes you feel like you are walking down a dark alley in the cold English rain. With songs like Waiting For Blood, Pusher Man, and the title track, slow, sludgeing Sabbath-esgue riffs, Iron Maiden like guitar harmonies, a

Atollo13 Scimmie Di Mare album review

Scimmie Di Mare is the latest full length release from Italian Surf band Atollo13, and it is fun from the moment it starts to the end. Reminiscent of The Eliminators and the Blue Stingrays and The Shadows, there's some groovy and gnarly tunes here that you can dig unless you're a square. Trappistone is the beginning intro, complete with the old vox keyboard and reverb drenched fender guitars in all their Cali sun glory. Such great musicianship here. Linda Linda the first song with vocals, they sing in Italian, but it sounds right. It's a wonderful song. It's crazy to hear perfect top notch surf music with Italian lyrics, but I must say it's better than alot of stuff around today. It sounds fresh out of a pier in the early 60s. Sea Monkeys starts off with discord and a psychedelic moment before grooving into a beautiful dance tune. Any record that encourages fun, or dancing is a good one. These guys completely have it nailed down and tight. I did not w

Interview with Nadir D'Priest lead singer for London

Nadir D'Priest is the lead singer of Legendary LA glam band London, who founder Lizzie Grey even nicknamed the 'training camp for future rockstars’ in Decline Of Western Civilization part two. A set of extraordinary heavy metal god like pipes as heard on songs such as Werewolves In London and Russian Winter, London has regrouped in 2019 with a brand new album Call That Girl. I sat down with D”Priest and discussed the beginning of his tenure in the band and Londons future. When did you decide you wanted to sing in a rock n roll band? When I was a little kid I was a drummer so I basically started as a drummer and moved onto singing early in life. Who were you early influences? Black sabbath Led Zeppelin Three Dog Night YES Dio 1st album Deep Purple James Brown Sinatra and many more. Tell me about your early groups and early experiences. Bands I’ve been in? I started in a band called assassin in Pasadena California which moved me on to a couple other little local ba

Rock N' Roll Gypsy Publishing

Search This Blog