Skip to main content

Marty Mayhem And The Liabilities-Live At The Rifle EP

Marty Mayhem And The Liabilites are a band that formed out of the ashes of the glam punk rock n roll band, The Smokin' Prophets. Marty and the band split, due to creative differences.
Marty, the frontman, and lead guitarist of this three piece Punk Rock N' Roll band are phenomenal. The EP is Live, at The Rifle, at their first gig. It's four new tracks, which are
in a different direction than the Prophets, but still retains the spirit. It's a bit darker, and real, on songs like Am I A Ghost, sings of being an outcast. It sounds
more mature than the prophets, less glammy. They are a powerhouse live band, raw, and real. Marty has really come a long way, from being Lead Guitarist/songwriter in Hollywood Trash,
to being a great frontman. No ego, and a serious, talented, amazing musician, singer, and frontman. His voice is like a raspy, pissed off Johnny Thunders, and a hint of Kurt Cobain.
This band, for this being their first live gig, are tight as hell. The song Get Electric is pretty groovy, with some psychedelic punk sounding guitar riffs, with a surf rock vibe, and it's
anthemic, never a bad thing at all. The energy on this EP is absolutely pulsating, it's hard not to dance or headbang, raise your fist in the air, and fucking boogie.
You can feel the sweat pouring off them in this, it's everything live rock music should be. Intense, sexy, and fucking balls out. Gonna Make It has a classic hard rock riff
with the kick in the ass of punk. It's like if Johnny Thunders and Guns N Roses had a love child with The Stooges and Green Day. Wake Up is pure punk agression, classic
snotty, in your face, reality. This EP is just too short, becaus it leaves you frothing at the mouth, wanting more. This is what rock n' roll should sound like, and we need more
of it.

Comments

Popular posts from this blog

Atollo13 Scimmie Di Mare album review

Scimmie Di Mare is the latest full length release from Italian Surf band Atollo13, and it is fun from the moment it starts to the end. Reminiscent of The Eliminators and the Blue Stingrays and The Shadows, there's some groovy and gnarly tunes here that you can dig unless you're a square. Trappistone is the beginning intro, complete with the old vox keyboard and reverb drenched fender guitars in all their Cali sun glory. Such great musicianship here. Linda Linda the first song with vocals, they sing in Italian, but it sounds right. It's a wonderful song. It's crazy to hear perfect top notch surf music with Italian lyrics, but I must say it's better than alot of stuff around today. It sounds fresh out of a pier in the early 60s. Sea Monkeys starts off with discord and a psychedelic moment before grooving into a beautiful dance tune. Any record that encourages fun, or dancing is a good one. These guys completely have it nailed down and tight. I did not w...

Dead Witches-Ouija (2017) review

Dead Witches are an amazing, crushingly heavy, psychedelic, stoner doom band. With legend drummer Mark Greening(Ex Electric Wizard, With The Dead,  Ramessess) along with vocalist Virginia Monti(Psychedelic Witchcraft), Carl Geary on bass, and Greg Elk on guitar, sadly Elk passed away in 2016. The album is absolutely superb, definitely one of the best records of the year. The production is amazing, the songs are great, and the fucking riffs are orgasms for the ears. The album starts off with the sound of rain, and a storm, and a haunting bass riff, followed with some organ and guitar feedback, setting a very dark mood. and moves into the song Dead, which starts off with a fantastic, fuzzy riff, and the drums kick in, and this song rides on the groove of this riff, building and building, as Virginia opens her beautiful, haunting vocals, its very powerful. It sucks you into the dark vortex to hell, dragging you numbed from dopesmoke. How metal is that? It's nice to hear Mark bashin...

Uncle Acid And The Deadbeats-The Night Creeper review

The Night Creeper, by Uncle Acid and The Deadbeats, is their third record, and it shows them progressing. And its fucking  fantastic. It has the riffs and vibes of Black Sabbath, with haunting vocals, and a sense of melody that most  Stoner Doom Metal bands lack. There are hooks, and dark vibes. It's incindiary. And if anybody doubts their legitimacy, they opened  for Black Sabbath on the UK leg of their last tour, which in Doom, that's a hell of a endorsement. They don't copy Sabbath,  they put their own dark, melodic spin on the genre. This record is absolutely phenomenal, dark, abysmal, eerie, and filled with incredible freakin riffs. With lyrics that are reminscent of old school b movie horror films, they create an atmosphere that literally makes you feel like you  are walking down a dark alley in the cold English rain. With songs like Waiting For Blood, Pusher Man, and the title track,   slow, sludgeing Sabbath-esgue riffs, Iron Maiden like gu...