Skip to main content

Devil-Time To Repent Review


Time to Repent, the debut album of norwegian doomsters Devil. in 2011 this record was released, a quasi concept album. The band took notes
from Black Sabbath, Candlemass, Witchfinder General, and Saint Vitus. Focusing on curses, and an occult theme, with witches and damnation steady, this album
is pretty classic and impressive. Very raw production, not a bad thing, its pure. They have the bluesy realm of early Sabbath on breaking the curse,
an upbeat, bluesy waltz song called Break The Curse, going on a about "true love's kiss won't break the curse I know", makes for a great introduction.
The next track Blood is boiling begins with an awesome riff, and lyrics about being haunted at night by a witch he saw
burn at the stake, that he loved. So catchy though. The title track of the album, has a great fucking riff, a great hook, and fantastic lyrics.
The thing about these guys is, as simple as the songs are, you kind of feel like you're in medieval times if you allow your mind
to drift with the music. They build that kind of atmosphere and vibe, screaming WITCHES ON FIRE! It's brilliant, really.
Crazy Woman is a more upbeat song, with a chorus of "She will never let you down, she can wrap her legs around a snake," which is a fucking
fantastic line. These guys are raw, and have the right grooves. Open Casket starts with a riff similar to that Symptom Of The Universe by Black Sabbath,
it is quite a great headbanger. Catching a hint of Venom here. Death Of A Sorver is kind of similar to Candlemass, with softer medieval parts
but played a bit more folky. It's a great song, one of my favourites on the record. At The Blacksmiths almost sounds like an outtake from
Black Sabbath's 1970 debut album. Its a heavy bluesy doomy smoke filled riff. Howling (At The World) is another example of a great riff and a groove. 
This production is so raw it's lovely, and damning. When this album came out, they opened for Electric Wizard, and you can see the fitting of the bill.

Comments

Popular posts from this blog

Sadartha Growth EP Review

Sadartha's third release is the ep Growth. With slightly better production than the last two albums, the band drops most of the hardcore punk influences going for a pure grunge sound. Opening track Emptifull has a sweet groove in the verse and explodes on the chorus. The band seems to have found their footing hear. Jangly muddy guitars, pulsating bass, and frantic but precise drums. Is it 1992 again? Aconitum starts with a watery sounding guitar riff. So slow and vibey. This is like Nirvana's Nevermind meets Alice In Chain's Jar Of Flies. So dark, so sublime.  Eclipsing Binaries sounds upbeat.a lazy day with a joint in the sun with nothing to do is what comes to mind. Really good song. Nice melodies. These dudes are definitely on the rise and just get better. Sacred Scorcher has such an awesome groove. Hearing a little Mudhoney influence here. Then the guitars distort and it's a train barrelling down the tracks at 110 mph on fire. It's fucking great.  ...

Dead Witches-Ouija (2017) review

Dead Witches are an amazing, crushingly heavy, psychedelic, stoner doom band. With legend drummer Mark Greening(Ex Electric Wizard, With The Dead,  Ramessess) along with vocalist Virginia Monti(Psychedelic Witchcraft), Carl Geary on bass, and Greg Elk on guitar, sadly Elk passed away in 2016. The album is absolutely superb, definitely one of the best records of the year. The production is amazing, the songs are great, and the fucking riffs are orgasms for the ears. The album starts off with the sound of rain, and a storm, and a haunting bass riff, followed with some organ and guitar feedback, setting a very dark mood. and moves into the song Dead, which starts off with a fantastic, fuzzy riff, and the drums kick in, and this song rides on the groove of this riff, building and building, as Virginia opens her beautiful, haunting vocals, its very powerful. It sucks you into the dark vortex to hell, dragging you numbed from dopesmoke. How metal is that? It's nice to hear Mark bashin...

Shadow Show Silhouettes Review

Shadow Show is a Psychedelic power trio from Ann Arbor, Michigan. Fantastic, cosmic music with spacey vocal harmonies. Their debut album Silhouettes is a fine example of very good modern psych, with ten solid tracks. So tight it sounds and feels loose. The album starts off with the single and video Charades, somewhere between a rockin Byrd’s meets mid 60’s Beatles vibe with a bit of Syd Barrett Pink Floyd and that slight punk sneer. Very catchy, very trippy, very groovy. Contessa has a 60s meets 90s grunge kinda vibe to it, and has backing vocals akin to the Monkees, nice touch. These girls don’t sound like anyone else around, and best of all, the guitar is so fuzzy! Green Stone is one of the stronger songs on the album, going into some Rolling Stones and Yardbirds type vibes, total mid 60s psychedelia. The Alchemist is like Uncle Acid without the distortion and sped up a bit. A layer of acoustic guitar and just an incredible hazy vibe like the inside of an enchanted fores...