Mudhoney Morning In America EP review

Mudhoney are back with Morning In America, the new so by the grunge rock legends. One of the smaller bands that didn't get huge like Soundgarden or Nirvana, perhaps that's why they are still around. With Stooges influenced garage punk with that muddy guitar tone, this is classic Mudhoney.

Vortex of Lies starts us off with a slow survey riff full of fuzz and feedback. Has a waltz like vibe with brilliant lyrics. Has a slight stoner rock vibe. Totally rad. Very raw production. Creeps Are Everywhere is upbeat and fun. Very groovy.

Ensam I Naft is reminiscent of Into The Drink sounding, the only cover on the ep. Some sweet synth wooshes. Side 1 ends with the title track Morning In America. Very good. Slower but vibey. The opening line 'America hates itself.' Wow, fuckin profound. There are a lot of ills in our society, and they talk about it. Such a strong song, reminiscent of If I Think.

Side 2 begins with Let's Kill Yourself Live Again, a hell of a title. And it really sounds like it czme out in the mid to late 60s. Great hook and riffs. A brilliant song about that politician that shot himself in the head live on t.v. back in the day. Snake Oil Charmer has a story telling vibe with the typical Mudhoney twist. Great riff and lyrics. This ep is a sign of the times. Filled with wah wah and fuzz.it ends with One Bad Actor, the single released. A slow stonery groovetastic fuzz fest.

This is a phenomenal release by Mudhoney. Even after all these years, they're still the same band. A contender for album of the year.

Comments

Uncle Acid And The Deadbeats-The Night Creeper review

The Night Creeper, by Uncle Acid and The Deadbeats, is their third record, and it shows them progressing. And its fucking fantastic. It has the riffs and vibes of Black Sabbath, with haunting vocals, and a sense of melody that most Stoner Doom Metal bands lack. There are hooks, and dark vibes. It's incindiary. And if anybody doubts their legitimacy, they opened for Black Sabbath on the UK leg of their last tour, which in Doom, that's a hell of a endorsement. They don't copy Sabbath, they put their own dark, melodic spin on the genre. This record is absolutely phenomenal, dark, abysmal, eerie, and filled with incredible freakin riffs. With lyrics that are reminscent of old school b movie horror films, they create an atmosphere that literally makes you feel like you are walking down a dark alley in the cold English rain. With songs like Waiting For Blood, Pusher Man, and the title track, slow, sludgeing Sabbath-esgue riffs, Iron Maiden like guitar harmonies, a

Interview with Nadir D'Priest lead singer for London

Nadir D'Priest is the lead singer of Legendary LA glam band London, who founder Lizzie Grey even nicknamed the 'training camp for future rockstars’ in Decline Of Western Civilization part two. A set of extraordinary heavy metal god like pipes as heard on songs such as Werewolves In London and Russian Winter, London has regrouped in 2019 with a brand new album Call That Girl. I sat down with D”Priest and discussed the beginning of his tenure in the band and Londons future. When did you decide you wanted to sing in a rock n roll band? When I was a little kid I was a drummer so I basically started as a drummer and moved onto singing early in life. Who were you early influences? Black sabbath Led Zeppelin Three Dog Night YES Dio 1st album Deep Purple James Brown Sinatra and many more. Tell me about your early groups and early experiences. Bands I’ve been in? I started in a band called assassin in Pasadena California which moved me on to a couple other little local ba

Quiet Riot Hollywood Cowboys review

Quiet Riot's latest album Hollywood Cowboys is a fantastic old school melodic hard rock album, something the band has always done excruciatingly well no matter who was in the band. The riffs, the hooks, it'll drive ya mad. The album kicks off with the awesome riff of Don't' Call It Love, a pure sleazy rocker. James vocals are great, I never understood the hate. Killer. Next up is In The Blood, with an awesome groove. Very vibey. Very AOR. Not a bad thing. It picks up for an epic, powerful chorus. Very vampyric. The band itself is on fire. Just energetic and fun to the bone. As it should be. Heartbreak City is pure 80s hard rock. Has a groove similar to Deep Purple. A hook out of this world. Definitely sleazy. The Devil That You Know is a fast paced rocker, galloping like a wild steed while your getting shot at. And yet still has amazing hooks. Being an outcast ain't always easy, but with anthems like this it makes it easier. Change or die has a heavy

Rock N' Roll Gypsy Publishing

Search This Blog